Robert Frost and Randall Thompson’s Frostiana (with other rabbit trails along the way)

Robert Frost in 1941; image accessed via Wikipedia

Introduction

This will be very long for a blog post/article but too short for a whole separate book, so note the Table of Contents box above that you can use as needed or desired. My goal here is to focus primarily on Randall Thompson’s Frostiana, looking at the circumstances of its composition and the seven poems individually that comprise it, but with plenty of info about Robert Frost the man and poet and also a bit about a couple of other composers who have set Frost’s poetry to music. An individual video is included for each song, with a full performance of the Thompson suite at the end. Other bonus videos are included!

Let me start by explaining my own history of singing music set to texts by Robert Frost.  As a member of the Cherry Creek Chorale here in the Denver area I’ve sung “The Pasture” by Z. Randall Stroope, “The Road Not Taken” and “Choose Something Like a Star” from Frostiana by Randall Thompson, and “Sleep” by Eric Whitacre, which started out its life as a setting of Frost’s “Stopping by Woods on a Snowy Evening.” Then, as a grand finale to all this Frost-y stuff (sorry), I’m getting to sing the entire Frostiana in May of 2022 with my group. If you’re reading this before May 6-7 2022, you can follow the link above to visit the choir’s website and attend the concert. It’s going to be g-r-e-a-t!

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What Can We Learn from a Taciturn Star?

Image by TeeFarm from Pixabay

I have been absolutely salivating at the idea of sinking my teeth into this Frost poem. We tend to associate Frost with his familiar and simple poems: “Stopping by Woods,” “The Road Not Taken,” and perhaps “Mending Wall.” Even those poems can be mined for deeper meaning, but when you get to some of his other ones, well! You (or perhaps I) can go on just about forever.

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Why Is Randall Thompson’s “Alleluia” So Mournful?

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photo credit: wrti.org

Isn’t the word “alleluia” supposed to be a shout of joy?

​First, the occasion: the opening of the Berkshire Music Center at Tanglewood. Let’s see–”Tanglewood” is the summer home of the Boston Symphony Orchestra, an outdoor concert venue in rural Massachusetts. The Berkshire facility (which at some point was renamed as the Tanglewood Music Center) opened in 1940 under the leadership of Serge Koussevitsky, the BSO’s music director at the time. The Tanglewood venue had been active for three years, and Koussevitsky saw an opportunity to expand the facility into a summer music camp for students. He decided to commission a piece by an American composer for the student body to perform at the opening ceremonies.

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How Has Frost’s “The Road Not Taken” Been Misinterpreted?

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My son the English major has pointed out that the way “The Road Not Taken” is usually interpreted is just wrong. How many posters, and e-mail sign-offs, and titles of sophomore term papers say “Take the road less traveled” or “I took the road less traveled” or “Be your own person; take the less-traveled road” or whatever? The poem is seen as a paean to independence and freedom, to being your own person. But folks, that ain’t what it says at all!

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