Is It Better to Take the High Road or the Low Road?

View of loch lomond
View of Loch Lomond; Image accessed via Wikimedia Commons

They’re both sad, but for one road the person is dead and for the other the person is grieved/bereaved. Which is which depends on the interpretation of the song you prefer.

Let me start by warning you that the history behind this innocuous-sounding song is right in my wheelhouse, or up my alley, or whatever expression you want to use. I’ll try to rein myself in, but it’s going to be hard. So hang in there with me to find out more than you thought possible about a song you’ve probably heard many times but never questioned. Let me just quote the chorus before we get started:

O you take the high road, and I’ll take the low road,
And I’ll be in Scotland afore ye,
But me and me true love will never meet again,
On the bonnie, bonnie banks of Loch Lomond.

 The person who takes the low road is going to get to Scotland first but won’t ever see his or her true love again. So who’s speaking, and what’s going on?

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When Will the “Great Day” Occur?

Well, it’s complicated.

“Great Day” is a spiritual, meaning that it falls into the category of true folk music, a genre that starts out with oral traditions and only later involves writing the words down. By the time a true folk song is committed to paper it almost always has multiple versions. And why do I keep using the word “true”? Because there are many songs written “in the style of” a folk song that aren’t truly so since they have a known, single author. In the case of this version of the piece (which my own choir, the Cherry Creek Chorale, will be performing in March 20241) there is an arranger, Warren Martin, but no composer or lyricist, so we seem to be in the “true folk” category. In my signature bopping around the Internet looking for clues I’ve found a number of sites that have published the lyrics, but there are none that try to unpack the layers of meaning contained in them. So I’m venturing out on my own here. If you’d like to read a general discussion of spirituals and their origins, I’d recommend that you read an earlier post on this website, “How Did We Get the Spirituals?

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What on earth is going on in the “Coventry Carol,” with all the mournfulness and killing of children?

 

Pieter Bruegel the Elder – Massacre of the Innocents – Google Art Project

When people first realize what the words to this carol are actually saying, they tend to be puzzled and/or outraged. I remember clearly someone in my own choir, the Cherry Creek Chorale, saying, “What on earth is going on with those kids being murdered?” Well, I can’t blame him. While I do love the song myself, it certainly can’t be said that it fits the stereotypical cheery Christmas template. The haunting melody is paired with a text that describes a horrible scenario: Herod the King commanding all young children in Bethlehem to be killed. Here are the relevant two verses that spell out the story:

O sisters too, how may we do
For to preserve this day
This poor youngling for whom we sing,
“Bye bye, lully, lullay”?

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What Happens to the Ivy in “The Holly and the Ivy”?

 

Pixabay

I had never noticed this before analyzing the carol for this post, but the ivy is mentioned in the first line and then it just disappears. Here are the first two lines:

The holly and the ivy, when they are both full grown,
Of all the trees that are in the wood, the holly bears the crown.

Wouldn’t you expect that there would be a third line explaining the role of the ivy, something that starts out with “Of all the vines that are in the wood, the ivy bears . . . ” But there isn’t. Here’s somewhat of a explanation from an academic website:

The lyrics are somewhat puzzling. The first line is “The Holly and the Ivy,“ yet ivy is mentioned nowhere else in the carol except in the last verse, which is a repeat of the first verse. Holly is given the starring role in the song and ivy is ignored, so it seems strange that ivy is even mentioned.

The explanation that is often given is that the first line in the carol is a remnant of the old custom of linking holly and ivy together. In the rest of the carol ivy isn’t needed. The “holly” in the carol refers to Christ and the theme of the carol is his life. (“English Ivy Symbolism, Traditions, and Mythology“)

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What does “campground” refer to in the spiritual “Deep River”?

“Deep River,” like “My God Is a Rock,” belongs in the category of slow, quiet spirituals. These songs of despair and hope were sometimes forbidden by slaveowners or overseers, while more up-tempo songs were actively encouraged as being helpful to keep the work going.
Why do the words say, “I want to cross over into campground”? I’ve noticed before that “campground” doesn’t really fit the rhythm very well. And for me, the image conjured up is that of tents, campfires, and lots of children running around. Almost like a refugee camp. (The fact that I have promised myself that I will never, ever again sleep on the ground in a tent might color my perceptions a bit.) Someone else might think of Civil War soldiers’ camps. Why would persecuted people want to escape to something so . . . unrestful?

What’s the “rock” in “Elijah Rock”?

This seems like a pretty simple question, doesn’t it? But let me tell you, it isn’t! I’ve done lots of trolling the internet looking for answers and come across some pretty convoluted ideas, but there seems to be one answer that makes the most sense. The facts that there are several versions of the lyrics and the ideas seem somewhat truncated mark this as a genuine folk song, passed down orally for a number of years.

Before I get to the various meanings for “rock,” here are some ideas that do seem clear. “Comin’ up, Lord,” has to refer to Elijah’s being taken up to Heaven in a fiery chariot. One of the choruses in Mendelssohn’s Elijah also vividly depicts that event. Interesting to compare that composer with his background of wealth, privilege and refinement with the unknown slave who first came up with this spiritual and whose hands were roughened from cotton bolls and back was scarred from the whip. Could the two of them have found common ground if they had ever met? I truly think they could.

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What’s with the Twelve Days of Christmas?

I remember back in elementary school being teased a bit by some Jewish classmates about the superiority of Hanukkah over Christmas: “You only have one day to get presents, but we have eight.” I’m sure I wasn’t quick-witted enough to mention the plethora of gift-giving in “The Twelve Days of Christmas” with its extra days of celebration. So here’s the information I didn’t have back then.

But first, before you read any further, you must watch the absolutely definitive performance of this song by none other than John Denver and the Muppets. Here’s the link (sorry about the horrible low-res quality):

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What does “hang your head over” mean in “Down in the Valley”?

Picture​I’m sure I sang “Down in the Valley” in grade school, and I know I’ve had a picture in my mind of someone on the edge of a cliff overlooking a valley, lying face down and literally hanging her head over the edge, with her hair falling over her face and blowing in the breeze. (I guess I always thought it was “her” since I pictured long hair.) The image seemed pretty strange to me. Why would anyone do that?

So when my choir sang an arrangement of this song I decided it was time to step up and find out just what was a-goin’ on. It’s been a fascinating journey.

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Who Is Michael, and Why Is He Rowing a Boat?

PictureThis is yet another of those songs everybody sings and nobody thinks about. Come on, now. Have you ever asked yourself this question? I sure hadn’t.

Once again my good friend Wikipedia put me onto the right track and I’ve gone on from there. As with so many wonderful songs that are entrenched in American music, this one stems from slave spirituals. And, as with the meaning of so many spirituals, it’s a mix of biblical and historical ideas.

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What are the “three links of chain” that Mary wears?

Spoiler alert: You’re not going to get a definitive answer to this question. You may be more confused than ever! I know I am. There seem to be dozens of versions of this and similar spirituals. We are singing something close to the one that Carl Sandburg published in his 1927 American Songbag..

Here are just some of the variants of our first verse:

“Mary” is sometimes “Sister Mary” or “Sis Mary”

“Three links of chain” is sometimes “three silver chain[s]”

“Every link bearin’ Jesus’ name” is sometimes “bearin’ freedom’s name” or “each chain bore the Savior’s name”

“Matthew Mark and Luke and John” is sometimes “Gabriel stood and blowed his horn” or “You better let God’s chillun alone.”

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